ぬりかべ NURIKABE
企画 トレッドソン別邸 organized by Troedsson Villa
Katherine Bradford キャサリン・ブラッドフォード
Marley Freeman マーリー・フリーマン
Sky Hopinka スカイ・ホプキンカ
Steve Keister スティーヴ・キースター
Irwin Kremen アーウィン・クレメン
Amy Lien & Enzo Camacho エーミー ・リャン&エンゾ ・カマッチョ Helen Mirra ヘレン・ミラ
Daido Moriyama 森山大道
Asako Narahashi 楢橋朝子
Tomomi Nishimura 西村知己
Laura Owens ローラ・オーエンズ
Steven Parrino スティーヴン・パリーノ
Paul P. ポール・ P
John Reipenhoff ジョン・リーペンホフ
Carissa Rodriguez カリッサ・ロドリゲス
Em Rooney エム・ルーニー
Tom Thayer トム・セイヤー
Amy Yao & Zimra Beiner エイミー・ヤオ&ジムラー・ベーナ
塗り壁は道を歩いていると急にどこからか現れ、突然前にも横にも歩けなくさせる有名な妖怪であって現象、その存在 は目には見えないけど、その言葉自体は漆喰の壁も意味する。 本展で展示される作品は絵画、ドローイング、コラージュ、写真、立体でそれらはてつおのガレージの白い壁に掛けら れる。
本展は、トレッドソン別邸が企画する、てつおのガレージでの四回目の展覧会です。日光東照宮からさほど離れていな い安川町にあるてつおのガレージは倉庫でもギャラリーでもなく、かつては薬局でした。2015年に始まったトレッ ドソン別邸でのアーティストインレジデンシーの派生プロジェクトとして展覧、イベントなどがアン イーストマンに よって企画されています。
Nurikabe is the name of a famous spirit of Japanese folklore who takes the form of a wall. Endless and invisible, people might encounter the Nurikabe while walking along a path and suddenly be stopped in their tracks. Nurikabe can also mean plaster wall. For this exhibition artworks which were painted, drawn, collaged, photographed, and rendered three-dimensional, will all be hung on a single wall at Tetsuo’s Garage.
Testuo’s Garage is neither a garage nor a gallery, it’s a building that once housed a pharmacy during Japan’s Showa era, located in the neighborhood of Yasukawa-cho, in Nikko city, not far from Toshogu
Shrine. Exhibitions at Tetsuo’s Garage are organized by Anne Eastman as part of the projects and exhibitions surrounding the Artist Residency program at Troedsson Villa in Nikko, Japan.
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Paper puppets and scenery from Scenographic Play for 2012 Whitney Biennial Performances, 2012, watercolor, pastel, collage, and tape on paper
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Untitled, 2018
gouache, ash, ink, acrylic, tempera, collage and tape on book page
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Bread Rubbing, 2019
Collage, Pencil, and Tracing Paper on Board, 2019
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Untitled, 2010
lithograph on paper, 22 x 13.5 cm
edition: 12/16
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“Yellow Biutterfly”, 2015
glaze/ceramic, acrylic/wood.
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“Glyph C2”, 1993
glaze/ceramic, acrylic/wood
10 3/4 x 11 x 5 ¼ (27.94 x 13.3cm)
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Untitled, 2019
Flashe, screen printing ink and pencil on foamcore
18.75 x 11.125 inches
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Untitled, 2019
Acrylic, ink, pigments, graphite, crayon and sewing on paper, cloth, wood, metal, modeling compound, string, glue and wire
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滝 窪川
2013年
&
Marley Freeman (RIGHT)
a Madonna, 2016
Acrylic on canvas
8 × 9 inches
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Night Sky (Nikko) 2017
15×18 inches
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Till Thou Sends Thee, No. 2, 1994
sandpaper and a fragment of handmade paper by Kenneth Noland
15 × 19 inches (38.10 × 48.26 cm) (framed)
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All the Best Memories are Hers, 2018 Silver gelatin print from LVT negative 11.5 x 12.5 inches (29.2 x 31.8 cm)
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Monkey stealing heavenly flaming blossom (1), 2018
watercolor and ink on rice paper with mix media
12 × 10 1/2 inches (30.48 × 26.67 cm)
&
Asako Narahashi (UPPER LEFT)
b & w photograph
from the series
NUE 1990- 1997
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color photograph, 2013
(Chuzenjiko)
from the series Ever After
&
Steven Parrino (RIGHT)
untitled, 2004
enamel paint and pencil on vellum
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These are the moieties, 2019
Inkjet print, etching
13h x 13w in
33.02h x 33.02w cm Edition 1 of 3, 2 APs
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Green with the Flare of Life —, 2019
Pewter, silver gelatin print
6 x 15.5 in (15.2 x 39.4 cm)
6 x 7.25 in (15.2 x 18.4 cm) each, hung 1 in apart
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“Color”, 2016/2019
Lambda print
Paper size: 25.4 x 30.5 cm
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The Wedding, 2019
Collage, Acrylic, Pencil and Tracing Paper on Panel
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Waste Not, No. 5, 1998
paper and wasp-nest material
6 3/4 × 6 1/8 inches (17.15 × 15.56 cm)
16 × 12 inches (40.64 × 30.48 cm) (framed)
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2019
Nikko San Francisco Half Smiler
Paper, pin
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